11/12/2023 0 Comments Lights out diana story![]() PG-13, a little profanity, some violence, general scariness. That’s not a recommendation, but it’s not a condemnation, either. Like about 75% of PG-13 horror films, it seems destined to play at teenage slumber parties and other gatherings of low-expectation viewers. Other details, like Rebecca’s aversion to commitment with her boyfriend (Alexander DiPersia), are similarly distracting and undercooked.īut is the movie scary? A little bit, a few times. Likewise, the “rules” governing Diana and her powers are unclear and inconsistent. Now and then the film makes a feint at being a metaphor for depression or abusive relationships, but neither idea is explored meaningfully. ![]() The screenplay is by Eric Heisserer, who has several lackluster sequels and remakes under his belt, including “The Thing,” “A Nightmare on Elm Street,” and “Final Destination 5.” What he delivers here feels like a first draft you can practically hear the typos. (Later, Sophie demands to know where Rebecca found a particular photograph - one that was pinned to the wall in that very room.) This convenient box o’ evidence isn’t even hidden it’s just sitting in the study, a well-lit room that Sophie clearly uses regularly. Lights Out is about Rebecca (Teresa Palmer), a young woman who finds out that an evil ghost named Diana (Alicia Vela-Bailey) is influencing her mother Sophie (Maria Bello).Rebecca's stepbrother. When it comes time for Rebecca to learn Diana’s origins, the movie gets especially lazy: Mom has a box of evidence in her house, complete with psychiatrists’ tape recordings and photos, spelling everything out. Martin does not sleep anymore during the night. When his son, the boy Martin, is frightened by the same creature, he sees his mother Sophie talking to an imaginary friend called Diana in the shadow of her room. Sandberg gets a lot of mileage out of this spooky trick, but it’s the only one he’s got. What’s the story behind Lights Out A man called Paul is working after hours and is murdered by a supernatural entity in the shadow. Turn the lights off again, she’s back, only now she’s closer. She’s a spindly, wraith-like shadow-creature who can inflict actual physical harm in the dark but disappears in the light. Sophie’s semi-estranged twentysomething daughter, Rebecca (Teresa Palmer), intervenes to protect her brother, recalling her own scary dealings with “Diana” when she was his age.ĭiana is real, by the way. Sophie (Maria Bello) is a depressed, bedraggled recluse whose troubling behavior - she talks to an invisible friend named “Diana” - has begun to take its toll on her young son, Martin (Gabriel Bateman). It’s small in scale, with only three major roles and a couple of hangers-on. ![]() This feature-length version, though, has a rushed, half-baked air to it, long enough to qualify as a feature yet somehow still short on story, character, and detail. Heck, you could even flesh it out to 10 or 15. Sandberg’s 81-minute expansion of his 3-minute short, has a fine premise for a 3-minute short.
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